Recently, I vowed to look into the legacy of William Trevor to find for myself the reason behind his quasi-invisibility in modern anthologies. At the time, I intended to compare him and his work to others, including Kazuo Ishiguro (a winner of the Booker Prize, in 1989, for The Remains of the Day, and various other awards and accolades), with a focus on their short stories—since that is what Trevor is best known for. Well, as promised, I have read Trevor’s stories (in After Rain) and I have read Ishiguro’s stories (in Nocturnes) and I have this to report: the comparison isn’t even close; indeed, it is not even fair! Ishiguro’s Nocturnes makes such a poor showing as an entry in the Art-of-storytelling category that it can’t be compared, any more than high school football can be compared to an NFL play-offs game. It was an unfortunate choice on my part! For they are playing different games altogether, dictated entirely by their strengths and relative maturity (This is Ishiguro's first volume of short stories!)—to say nothing of the invidious influence of money.
A literary review focusing on contemporary and classic English language works of literary merit in fiction and poetry. The range will include important works of world literature, ancient and modern, originally written in, or translated into, English, with occasional forays into other languages. It is a contemporary view of the ever-changing Canon as seen by a fan of quality and purpose in literature and art.
Showing posts with label music and nightfall. Show all posts
Showing posts with label music and nightfall. Show all posts
Monday, June 6, 2011
“‘Music and Moonlight’, Blah, Blah, Blah!”
Recently, I vowed to look into the legacy of William Trevor to find for myself the reason behind his quasi-invisibility in modern anthologies. At the time, I intended to compare him and his work to others, including Kazuo Ishiguro (a winner of the Booker Prize, in 1989, for The Remains of the Day, and various other awards and accolades), with a focus on their short stories—since that is what Trevor is best known for. Well, as promised, I have read Trevor’s stories (in After Rain) and I have read Ishiguro’s stories (in Nocturnes) and I have this to report: the comparison isn’t even close; indeed, it is not even fair! Ishiguro’s Nocturnes makes such a poor showing as an entry in the Art-of-storytelling category that it can’t be compared, any more than high school football can be compared to an NFL play-offs game. It was an unfortunate choice on my part! For they are playing different games altogether, dictated entirely by their strengths and relative maturity (This is Ishiguro's first volume of short stories!)—to say nothing of the invidious influence of money.
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